CARLOS OSUNA
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Opera
ComposerWork
JanáčekAus einem TotenhausDer große Sträfling
Beethoven FidelioJacquino
BelliniNormaFlavio
Bizet CarmenRemendado
BretónLa Verbena de la PalomaJulian
BrittenPeter GrimesRev. Horace Adams
CimarosaIl matrimonio segreto Paolino
DonizettiL’Ajo Nell' ImbarazzoPippetto
DonizettiAnna BolenaSir Hervey
GounodRoméo et JulietteTybalt
JanáčekKáťa KabanováKudrjáš
Leoncavallo Pagliacci Beppe/Arlecchino
MozartLe Nozze di FigaroBasilio/Curzio
PucciniLa Fanciulla del WestJoe /Nick
PucciniLa bohèmeRodolfo
PucciniMadama ButterflyPinkerton
PucciniToscaSpoletta
RotaAladinoAladino
StraussSalomeDritter Jude
StraussSalomeNarraboth
StraussAriadne auf NaxosScaramuccio
VerdiNabuccoIsmaele
VerdiDon CarloConte di Lerma
VerdiDon CarloAraldo Reale
VerdiI vespri siciliani Tebaldo
VerdiSimon BoccanegraCapitano
VerdiSimon BoccanegraCapitano
Verdi LaTraviataAlfredo
VerdiLa TraviataGastone
VerdiOtelloCassio
VerdiNabuccoAbdallo
VerdiAidaUn Messaggero
WagnerTristan und IsoldeEin Hirt
WagnerDas RheingoldFroh

CARLOS OSUNA: María Grever, Júrame

“During the opening scene, Narraboth (the bright tenor Carlos Osuna), a young captain of the guard overcome with awe-struck desire for Salome, incessantly praises her beauty”.

The New York Times, about the role of Narraboth in Salome with Wiener Staatsoper at Carnegie Hall, March 2014

“Narraboth was Carlos Osuna, whose firmly-placed voice carried well, particularly in the rhapsodic upper reaches of this brief role”

New York Classical Review, about the role of Narraboth in Salome with Wiener Staatsoper at Carnegie Hall, March 2014

Carlos Osuna

Bio English

Carlos Osuna

PR photo 22

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