MARCEL BEEKMAN
General Management
Dutch tenor Marcel Beekman is renowned for his interpretation of operatic character roles as well as early and contemporary music.

He has performed the great German, French and Italian baroque repertoire all over Europe, the United States, Middle East, South Africa and Japan in major concert venues and festivals with conductors such as William Christie, Frans Brüggen, Leonardo Garcia Alarcón, Christophe Rousset, Richard Egarr and Reinhard Goebel. He has appeared in repertoire of later centuries with conductors such as Sir Simon Rattle, Daniele Gatti, Sir Mark Elder, Iván Fischer, Claus Peter Flor, Steven Sloane and Ed Spanjaard and with orchestras including the Royal Concertgebouw Orchestra, Berliner Philharmoniker, Los Angeles Philharmonic, Dutch Radio Philharmonic Orchestra, ASKO|Schönberg and Orchestra Sinfonica di Milano Giuseppe Verdi.

Mr. Beekman is also known for his outstanding ability in avant-garde repertoire. He has worked extensively with conductors such as Reinbert de Leeuw, Sylvain Cambreling, John Adams, Marc Albrecht, Avner Biron and Jonathan Stockhammer in works by Igor Stravinsky, Alban Berg, Benjamin Britten, Nicolas Obouchov, Pascal Dusapin, Edison Denisov, Mauricio Kagel, Witold Lutoslawski, Joseph Bardanashvili, Gottfried von Einem and György Kurtág. He has given numerous world premieres of works that have been specially composed for him: Calliope Tsoupaki, Martijn Padding, Roderik de Man, Micha Hamel, Elmer Schönberger, Jacques Bank, António Chagas Rosa and Jeff Hamburg as well as the younger generation of Dutch composers such as Reza Namavar, Joost Kleppe, Anke Brouwer, Bart Visman and Matthias Kadar.

His operatic repertoire includes Aristée/Pluto Orphée aux enfers, Berenice L’Ipermestra by Cavalli, the title roles in Orfeo by Monteverdi and Rameau’s Platée and Pygmalion, Valère, Damon, Don Carlos Les Indes Galantes by Rameau, Maître de Musique and Maître de Chant Les Fêtes Vénitiennes by Campra, Arnalta and Nutrice L’Incoronazione di Poppea, Eumete Il ritorno d’Ulisse in patria, Lope Don Chisciotte in Sierra Morena by Conti, Germanico Arminio by Biber, High Priest Saul by Handel, Pedrillo Die Entführung aus dem Serail, Basilio and Don Curzio Le Nozze di Figaro by Mozart, Tanzmeister in Richard Strauss‘ Ariadne auf Naxos, Prince Nilski Igrok by Prokofiev, Adrian Der Sturm by Martin, Mime Das Rheingold and Siegfried by Wagner, Hauptmann and Narr Wozzeck by Berg, Pégase, Sénéchal and Prêtre L’écume des jours by Denisov (International Diaghilev Award 2013), the title role in Jonah the Naysayer by Breuker, Arthur Rimbaud Nuit de l’enfer by de Man, Zamar Legende by  Wagemans, Casella La Commedia and Pope Innocenzo XI Theatre of the World by Andriessen.

Marcel Beekman has appeared at De Nationale Opera Amsterdam, Salzburger Osterfestspiele and Salzburger Festspiele, Theater an der Wien, Théâtre des Champs-Élysées and Opéra Comique in Paris, Théâtre du Capitole Toulouse, Opéra de Dijon, Staatstheater Stuttgart, the Bregenzer Festspiele, Holland Festival, Brooklyn Academy of Music, Lincoln Center and Carnegie Hall New York in productions by directors such as Robert Carsen, Pierre Audi, Barrie Kosky, Ivo van Hove, Claus Guth, Stefan Herheim, Tatjana Gürbaca, Hal Hartley, Nicola Raab, Katie Mitchell and Krzysztof Warlikowski.

His extensive discography includes a double CD of Theatre of the World by Louis Andriessen with the Los Angeles Philharmonic Orchestra (Nonesuch), nominated at the BBC Music Magazine Awards 2018 in the category „Opera“, and De Nationale Opera‘s 2017 production of Wozzeck, staged by Krzysztof Warlikowski (Naxos).

Engagements in the season 2019/20 include concerts with Les Arts Florissants in London, Paris, Madrid, Hamburg and Baden-Baden as part of the orchestra’s 40th anniversary celebrations, Monteverdi’s Selva morale with Le Poème Harmonique under Vincent Dumestre at La Seine Musicale in Paris, Beethoven‘s 9th Symphony with the Noord Nederlands Orkest under Risto Joost, Heinichen’s 3 Lamentationes Jeremia conducted by Reinhard Goebel at Cologne Philharmonie, Orff’s Carmina Burana at the Opera National de Montpellier and the role of Schlepper in the world premiere of Christian Jost’s opera Voyage vers l’espoir at the Grand Théâtre de Genève.
 
ANY PUBLIC USE OF THE ABOVE TEXT IS NOT PERMITTED WITHOUT SPECIFIC
AUTHORIZATION OF SOREK ARTISTS MANAGEMENT.
Opera|Concert|Lieder
ComposerWork
AndriessenLa commedia (2008)Casella
Biber, Heinrich Ignaz vonArminio [Chi la dura la vince]Germanico
ContiDon Chisciotte in Sierra MorenaLope
DallapiccolaIl PrigionieroPrimo Sacerdote
GaglianoLa Dafne
HändelAcis und Galathea
HenzeIl ritorno d'Ulisse in patria (1981), new orchestration after C. MonteverdiEurimaco, Eumete
MartinDer Sturm (1952/1955)Adrian
MartinLe vin herbéTristan
MozartBastien und Bastienne Bastien
MozartDie Entführung aus dem SerailPedrillo
MozartJener Donnerworte Kraft, from "Die Schuldigkeit des ersten Gebots" KV 35
MozartLe Nozze die FigaroBasiolio, Don Curzio
MozartZaideSultan Soliman
Pashkevich, VasiliySkupoySkrjagin
Opera|Concert|Lieder
ComposerWork
Abazis, TheoRainbow for Rimbaud
AlmeidaTe Deum
Altena, MartenUp and Up/ Down and Out (2010)
AndriessenDe laatste daag
AndriessenDe materie
Arends, AndréVoices
Bach, C.Ph.E.Motetten
Bach, C.Ph.E.Alte und Neue Litanei
Bach, Georg ChristophSiehe, wie fein und lieblich ist's
Bach, HeinrichAch, dass ich Wassers genug hätte
Bach, Johann ChristianMagnificat
Bach, Johann NicolausDer jenaische Wein - und Bierrufer
Bach, Johann SebastianCantatas
Bach, Johann SebastianHohe Messe
Bach, Johann SebastianJohannes Passion
Bach, Johann SebastianLutheran Masses
Bach, Johann SebastianMagnificat
Bach, Johann SebastianMatthäus Passion
Bach, Johann SebastianWeihnachtsoratorium
Bank, JacquesBlind boy fuller
Bank, JacquesEen taaie winter
Bank, JacquesEindelijk aangekommen
Bank, JacquesJohn Clare
Bank, JacquesUiteindelijke dingen
Bank, JacquesVan de dichter en de griffier
BarbarinoO sacrum convivum
Barbe, HelmutCanticum Simeonis
BeethovenFantasie op.80
BeethovenSymphony no 9, op 125
Beurden, Bernard vanBoulevard des misères
BrittenCantata Misericordium op 69
BrittenNocturne, op 60
BrittenSaint Nicholas, op 42
BrittenSerenade, op 31
BrittenSpring Symphony, op 44
Brouwer, AnkeWakker (2008)
BrucknerRequiem d-Moll
Bruinen, PaulKwaad bloed
BuxtehudeCantatas
BuxtehudeMembra Jesu Nostri
CarissimiJephte
CavalieriLamentationes del S. Emilio de Cavalieri
CharpentierAntiennes à la Vierge
CharpentierMagnificat
CharpentierMéditations pour le Carême
CharpentierMesse de minuit
CharpentierSalve Regina
CharpentierTe Deum
DanielisCaeleste Convivium
d'Astorga, EmanueleStabat Mater
Davies, Peter MaxwellJob
DeliusTo be sung of a summer night on the water
DistlerChoralpassion
DistlerDie Weihnachtsgeschichte
Doorn, Frans vanCantico de la creature
DusapinLa Melancholia
ErlebachMein Herz ist bereit
Escher, RudolfNostalgies
Escher, RudolfUnivers de Rimbaud
Fesch, Willem deMissa Paschalis
FinziDies Natalis
Fischer, JohannHimmlische Seelenlust
FuxSanta Dimpna, Infantana'IrlandaGerberno
GebelJohannes Passion: Der leidende, sterbende und begrabene Jesus
GounodMesse Sollenelle
Graaf, Christian ErnstDer Tod Jesu
Guerre, Elisabeth-Claude Jacquet de laL'Isle de Déloa
Hamburg, JeffHebräische Melodien
Hamburg, JeffHooglied
Hamburg, JeffKumi Ori
Hamel, MichaRequiem, op 36 (2011)
HändelDettinger Te Deum
HändelDixit Dominus
HändelIsrael in Egypt
HändelJudas Maccabaeus
HändelLa Resurrezione HW 47
HändelMessiah
HändelOde on St. Cecilia's Day
HändelSaul
HändelUtrecht Te Deum
HaydnFolksongs
HaydnDie Jahreszeiten
HaydnMissa in Angustiis
HaydnMissa in honorem St. Nicolai
HaydnDie Schöpfung
HaydnStabat Mater
HaydnTheresienmesse
HenzeDrei Fragmente nach Hölderlin
HenzeOrpheus behind the wire
HoneggerLe Roi David
KagelMitternachtsstück
KagelIn der Matratzengruft (2007-2008)
Keuris, TristanL'Infinito
Kleppe, JoostCanções Portuguesas (2010)
Kleppe, JoostPrometeu (2011)
KurtágWhat is the word
LeoncavalloMattinata
Lima, CândidoComeça a haver meia-noite
Lima, CândidoDesfraldando
Lima, CândidoImpressões do Crepúsculo
Lima, CândidoMagnificat
Lima, CândidoPaúis
Lima, CândidoPoemas impressionistas
MahlerDas Lied von der Erde
Man, Roderik deCzar Peter's Creation
Man, Roderik deNuit de l'Enfer
Martinaitis, AlgirdasMusikalisches Opfer
Mendelssohn-BartholdyDie Erste Walpurgisnacht, op 60
Mendelssohn-BartholdyElias
Mendelssohn-BartholdyPsalm 95
Mendelssohn-BartholdySymphony no 2 "Lobgesang"
Mendelssohn-BartholdyTe Deum
MozartLitaniae de venerabili altaris Sacramento KV 243
MozartMissa in C, KV 257
MozartMissa in C "Krönungsmesse" KV 317
MozartMissa in C minor, KV 427
MozartMissa brevis in B, KV 275
MozartRequiem KV 626
MozartVesprea solennes de confessore KV 339
MozartVespera solennes de Dominica KV 321
Namavar, RezaHeaviness of Heart (2011)
Nicolai, WillemBonifacius op 7
ObouchowLe Troisième et Dernier Testament
OrffCarmina Burana
PachelbelVerzag doch nicht, du armer Sünder
PucciniMessa di Gloria
Opera|Concert|Lieder
ComposerWork
Bach, C.Ph.E.Geistliche Lieder
Bela BartokSongs

C.Monteverdi: L'Incoronazione di Poppea

Les Arts Florissants
William Christie, cond
with Sonya Yoncheva, Kate Lindsey,Tamara Banjesevic, Lea Desandre, Dominique Visse, Alessandro Fisher et al
Les Arts Florissants (9267727)

F.Cavalli: I'Ipermestra

La Sfera Armoniosa
Mike Fentross, cond
with Elena Monti, Emanuela Galli, Gaele Le Roi, Sergio Foresti, Mark Tucker et al
Challenge (9201701)

A.Berg: Wozzeck (DVD)

De Nationale Opera Amsterdam, Netherlands Philharmonic Orchestra
Marc Albrecht, cond
Krzysztof Warlikowski, director
with Christopher Maltman, Eva-Maria Westbroek, Frank van Aken et al
Naxos (8750409)

Calliope Tsoupaki: Lukas-Passion

Nieuw Ensemble
Ed Spanjaard, cond
with Ioannis Arvanitis, Raneen Hanna et al
Etcetera (8576957)

L.van Beethoven: The Symphonies

Laurens Collegium & Contorij, Orchestra of the Eighteenth Century
Frans Brüggen, cond
with Rebecca Nash, Wilke te Brummelstroete, Michael Tews et al
Glossa (3107492)

L. Andriessen: La Commedia

Dutch National Opera, Asko|Schönberg
Reinbert de Leeuw, cond
with Claron McFadden, Cristina Zavalloni, Jeroen Willems et al
Nonesuch (7559795900)

L. Andriessen: Theatre of the World

Los Angeles Philharmonic Orchestra
Reinbert de Leeuw, cond
with Mattijs van de Woerd, Lindsay Kesselman, Leigh Melrose, Cristina Zavalloni et al
Nonesuch (7559793618)
 

J.S.Bach: St John Passion

Cappella Amsterdam & Orchestra of the 18th Century
Frans Brüggen, cond
Markus Schäfer, Thomas Oliemans, Carolyn Sampson, Michael Chance, Peter Kooij et al
Glossa (GCD921113)

J.S. Bach: Matthäus Passion

Matthäus Passion BWV 244
Netherlands Bach Collegium
Amsterdam Classics 20004

W. Lutoslawski: Paroles Tissées

AUKSO Chamber Orchestra of Tychy
Marek Mos, cond
for tenor, strings, harp, piano & percussion
001TWL IMIT CD 0009

F. Martin: Der Sturm

Dutch Radio Philharmonic Orchestra
Thierry Fischer, cond
with Robert Holl, Simon O´Neill, Christine Buffle et al
recorded live 2008 at Het Concertgebouw Amsterdam
Hyperion Records (B004S7ZYV6)

C. Monteverdi: Il combattimento di Tancredi e Clorinda

live recording
Contrasto Armonico
Marco Vitale, cond
AYROS/Ayros Live AY-L01
 

J.Röntgen: Symphony No. 5 in A minor, "Der Schnitter Tod"

Netherlands Symphony Orchestra
David Porcelijn, cond
CPO (7773102)

F. Schubert: Zomerreis

Die schöne Müllerin in het Nederlands hertaald door Jan Rot
Ernst Munneke, piano
Deutsche Grammophon (00289 4428465)

R. Strauss: Salome (CD/DVD)

Royal Concertgebouw Orchestra
Daniele Gatti, cond
Ivo van Hove, director
with Malin Byström, Doris Soffel, Lance Ryan, Evgeny Nikitin, Peter Sonn et al
RCO live (1433701947)

J.P. Wagemans: Legende

De Nederlandse Opera, the Chorus of De Nederlandse Opera, the Netherlands & Radio Philharmonic Orchestra
Reinbert de Leeuw, cond
with Marieke Steenhoek, Caroline Cartens, Corinne Romijn, Helena Rasker, Yves Saelens, Thomas Oliemans, Elzbieta Szmytka, André Morsch, Martijn Cornet, Huub Claessens
Etcetera ( KTC1443)

MARCEL BEEKMAN: J.P. Rameau, Platée, Que ce séjour est agréable

MARCEL BEEKMAN: F. Cavalli, L'Ipermestra - Berenice

MARCEL BEEKMAN: J.S. Bach, Johannes Passion, Erwäge, wie sein blutgefärbter Rücken

MARCEL BEEKMAN: J.S. Bach, Das Blut, so meine Schuld durchstreicht


MARCEL BEEKMAN: G.F. Händel, La Resurezzione, Cosi la Tortorella

MARCEL BEEKMAN: M. Padding, And trees would sing

MARCEL BEEKMAN: L. Janáček, Zapisnik Zmizeleho, 3 songs

"Rasant geht es schon im Haushalt zu, wo Imker Aristäus -schon hier räumt der wieder einmal herrlich krähende Tenor von Marcel Beekman so manche vokale Butter vom Brot- leichtes Spiel hat und zudem von einem ganzen Bienenballett umschwärmt wird."
Salzburger Nachrichten, Salzburger Festspiele - J. Offenbach, Orphée aux enfers, August 2019
"Als Aristée/Pluton war ein temperamentvoller Marcel Beekman zu erleben. Seine Stimme kann in allen Registern, selbst dem Falsett, überzeugen."
opernmagazin.de, Salzburger Festspiele - J. Offenbach, Orphée aux enfers, August 2019
"[...] Pluton [...] effektvoll und ausgelassen Marcel Beekman [...]."
Der Standard, Salzburger Festspiele - J. Offenbach, Orphée aux enfers, August 2019
"Pour l'union du mot et de la note, c'est à Marcel Beekman que revient la palme, Pluton parfaitement idiomatique, voguant d'un pas léger sur les hauteurs où le mène son ténor stratosphérique."
Diapasonmag.fr, Salzburger Festspiele - J. Offenbach, Orphée aux enfers, August 2019
"Der Pluto des brillant singenden Tenors Marcel Beekman, der mit Koloraturen der Königin der Nacht eine virtuose Falsett-Einlage bietet."
Frankfurter Allgemeine Zeitung, Salzburger Festspiele - J. Offenbach, Orphée aux enfers, August 2019
"Der feine Charaktertenor Marcel Beekman ist mit einer gewissen Eleganz der Transgender-Höllenfürst Pluto und auch in Schäferverkleidung samt ihn umschwirrenden Tanzbienen ein Vergnügen."
Drehpunkt Kultur, Salzburger Festspiele - J. Offenbach, Orphée aux enfers, August 2019
"Marcel Beekman (Pluton) trägt den vokalen Lorbeer des Abends davon."
Kleine Zeitung, Salzburger Festspiele - J. Offenbach, Orphée aux enfers, August 2019
"Die Sänger zeigen tolle schauspielerische Qualitäten. Allen voran Marcel Beekmans geiler Pluto."
Kronenzeitung, Salzburger Festspiele - J. Offenbach, Orphée aux enfers, August 2019
"Der Tenor Marcel Beekman kann mit seiner wandlungsfähigen Stimme im Falsett und auch im barocken Stil punkten."
br.klassik.de, Salzburger Festspiele - J. Offenbach, Orphée aux enfers, August 2019
"Côté masculin, nous avons notamment apprécié [...] le Maître de ballet de Marcel Beekman, véritable chanteur-acteur, particulièrement sonore."
forumopera.com, R. Strauss, Ariadne auf Naxos - Théâtre des Champs-Elysées, March 2019
"La Nourrice est incarnée avec énergie et humour par le ténor Marcel Beekman, qui brûle les planches. La voix est dense et sonore, l'interprétation drôle à souhait [...] une association très réussie de chant soigné et de théâtralité exacerbée."
olyrix.com, F. Sacrati, La Finta Pazza - Opéra Royale de Versailles, March 2019
"Une nourrice haute en couleur (impayable Marcel Beekman) et un eunuque moqueur insufflent de la comédie dès que le drame pointe son nez."
Télérama, F. Sacrati, La Finta Pazza - Opéra Royale de Versailles, March 2019
"Marcel Beekman come Capitano e Folle é un uomo di spettacolo isterico e soverchiante, ma anch'egli capace di non scadere mai nella macchietta nell'abile uso del falsetto e di un fraseggio frastagliato."
Ape Musicale, DVD - A. Berg, Wozzek (Ape Muiscale), March 2019
"Le ténor Marcel Beekman incarne une Nourrice haute en couleurs, alliant idéalement tendresse maternelle et drôlerie détonante."
Diapason, F. Sacrati, La Finta Pazza - Opéra de Dijon, February 2019
"La partie buffa de cet opéra repose sur deux personnages: l'Eunuque et la Nourrice [...] le ténor Marcel Beekman provoque la franche hilarité du public, notamment lorsqu'au début du troisième acte il feint d'interpréter au débotté un air destiné à faire patienter le public alors que le rideau refuse de se lever."
bachtrack.com, F. Sacrati, La Finta Pazza - Opéra de Dijon, February 2019
"La Nourrice, l'excellent Marcel Beekman, viendra, en seconde partie, jouer la chauffeuse de salle [...] Sa présence savoureuse, ses beaux aigus [...]."
concertclassic.com, F. Sacrati, La Finta Pazza - Opéra de Dijon, February 2019
"On place également très haut l'impayable et attendrissante nourrice travestie de Marcel Beekman."
resmusica.com, F. Sacrati, La Finta Pazza - Opéra de Dijon, February 2019
"Marcel Beekman begeistert in der Rolle der Amme als begnadete Komödiant der stimmlich und szenisch sofort die Spielmacherrolle an sich zu ziehen weiß. Da reagiert dann auch endlich einmal lachend das Publikum."
Frankfurter Allgemeine Zeitung, Salzburger Festspiele - C. Monteverdi, L'incoronazione di Poppea, August 2018
"Marcel Beekman gibt der Nutrice wunderbar klares Profil."
Die Presse, Salzburger Festspiele - C. Monteverdi, L'incoronazione di Poppea, August 2018
"Marcel Beekman verkörpert die komödiantische Amme mit keckem Witz."
Wiener Zeitung, Salzburger Festspiele - C. Monteverdi, L'incoronazione di Poppea, August 2018
"Ottavia's nurse was tenor Marcel Beekman, who was very successful and funny in his portrayal of the old, cynical lady."
Bachtrack, Salzburger Festspiele - C. Monteverdi, L'incoronazione di Poppea, August 2018
"Both severally and collectively, the performances are magnificent.[...] The lyrical lines of Pope Innocenzo XI are excellently served by Marcel Beekman's clarion, beautifully floated tenor."
Opera Magazine, Los Angeles Philharmonic - L.Andriessen, Theatre of the World (CD release), March 2018
"Le Capitaine de Marcel Beekman est une étrangeté en soi, car son empreinte vocale mordante a des accents éclatants qui tirent vers les ambiguïtés baroques, lui donnant ainsi un relief absolument unique. Sa présence en est obsédante bien après la représentation."
Formalhaut/Overblog, Alban Berg, Wozzeck, Dutch National Opera, Amsterdam, March 2017
"Marcel Beekman's elaborate histrionics embrace the Captain's commedia roots, with a complementary rich range of vocal colours and characters."
Plays-to-see, Alban Berg, Wozzeck, Dutch National Opera, Amsterdam, March 2017
"Eccezionale Marcel Beekman come Capitano che quasi riesce nell'impresa di rubare la scena a Wozzeck e agli altri protagonisti."
OperaClick, Alban Berg, Wozzeck, Dutch National Opera, Amsterdam, March 2017
"Marcel Beekman stands out performing the repulsive role of the Captain."
Trouw, Alban Berg, Wozzeck, Dutch National Opera, Amsterdam, March 2017
"Beekman as Captain is a masterly tenor chasing Wozzeck and telling him with irony and nasty humor that it's a bad thing to be in a hurry."
Theaterkrant, Alban Berg, Wozzeck, Dutch National Opera, Amsterdam, March 2017
"Tenor Marcel Beekman excelled as the effeminate sadistic Captain, a gloomy character wearing a Nazi toupet. Beekman's scathing phrases and maniacal falsetto were astringent."
NRC Handelsblad, Alban Berg, Wozzeck, Dutch National Opera, Amsterdam, March 2017
"Marcel Beekman performed the role of Tristan with heart and soul; deep under your skin."
De Limburger, Frank Martin, Le Vin Herbé, Musica Sacra Maastricht, September 2016
"From the foreign soloists, the Dutch singer Marcel Beekman caught my attention with his well pronounced Hebrew and his pure, bright sound in his normal register and added to this, a nicely performed fragment in his falsetto register; a very nice idea of the composer."
Ha'aretz, Joseph Bardanashvili, Passion of Rabbi Shimon Bar Yochai, Tel Aviv Museum of Art, June 2016
"Especially Marcel Beekman manages to catch the attention as Pope Innocenzio XI. He reminds of clergy in Fellini's "Roma". The tenor uses an almost hysterical sound in a razor sharp way and shows an impressive expression, making him the hero of this performance."
Operamagazine, Louis Andriessen, Theatre of the world, Dutch National Opera, Amsterdam, June 2016
"The singers are outstanding, especially -as always- the formidable tenor Marcel Beekman as Pope Innocenzio XI whom was made to sing hilariously silly melodies by Andriessen."
Het Parool, Louis Andriessen, Theatre of the world, Dutch National Opera, Amsterdam, June 2016
"Marcel Beekman ist ein Weltklasse-Evangelist, der seine Chronistenpflicht mit schlanker Emphase, gleißender Tenorhöhe und feinstem Stilempfinden versieht."
Die Welt, JS Bach, St Matthew Passion, Hamburg, March 2016
"Marcel Beekman profiliert sich in den Rollen des Maître de musique und Maître de chant vollends als einer der besten Singkomiker der Opernbühne."
Opernwelt, André Campra, Les Fêtes Vénitiennes, Opéra Comique de Paris, March 2015

Marcel Beekman

Bio English

Marcel Beekman

Photo Credit: Sarah Wijzenbeek

Marcel Beekman

photographer Sarah Wijzenbeek

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