Sorek Artists - Andrew Schroeder

Andrew Schroeder is one of today’s most versatile singers, performing in repertoire that ranges from Monteverdi to Benjamin and Sondheim.

Most recently, he sang The Protector/Written on Skin with the Tokyo Metropolitan Symphony Orchestra, conducted by Kazushi Ono, the title role in Bluebeard’s Castle at Aalto Theater Essen, Dr Walton/Prosecutor in Mark Grey’s opera Frankenstein, a production by La Fura dels Baus for La Monnaie in Brussels, Bernstein’s Songfest with the MDR Sinfonieorchester Leipzig and Kristjan Järvi, Beethoven’s Symphony no 9 with Het Gelders Orkest, Stravinsky’s Les Noces with Ensemble Vocale Lausanne and Daniel Reuss, The Protector in George Benjamin's Written on Skin, directed by Nicola Raab, at the Fondazione Haydn di Bolzano, Judge Turpin in Sweeney Todd and Forrester in The Cunning Little Vixen, both at La Monnaie, and gave his house debut at Oper Köln as Claudius in Brett Dean’s Hamlet. In 2021/22 he returns to La Monnaie to sing Amfortas in concert performances of Parsifal, conducted by Alain Altinoglu.

Other opera engagements include the title role in Eugene Onegin at The Royal Opera House Covent Garden and Théâtre du Capitole de Toulouse, Falke in Die Fledermaus at the Opéra Bastille, the title role in Henze’s Der Prinz von Homburg at the Spoleto Festival USA, the title role in Enescu’s Oedipe at La Monnaie in Brussels and at Teatro Colon in Buenos Aires, Grand Prêtre and Dieu Infernal in Gluck’s Alceste at the Festival in Aix-en-Provence with Ivor Bolton, Thoas in Iphigénie en Tauride at Theater an der Wien, under Harry Bicket, Captain of the Royal Guard in Henze’s Die Bassariden at Teatro dell'Opera di Roma, Agamemnon in Iphigénie en Aulide with La Monnaie, under Christophe Rousset, the title role in Mozart’s Don Giovanni with Oper Stuttgart and Sydney Opera House, the title role in Chausson’s Le Roi Arthus at the Opéra National du Rhin in Strasbourg, The Captain in J. Adams’ Death of Klinghoffer at the Edinburgh International Festival, Agamemnon in Gluck’s Iphigénie en Aulide at Oper Stuttgart, Horemhab in Phillip Glass’ Akhnaten for Vlaamse Opera, Mr. Astley in Prokofiev’s The Gambler and Yoshio in Toshio Hosokawa’s opera Hanjo for Opéra de Lyon, Germont in La traviata and Nello in Pia de’ Tolomei at Teatro La Fenice, Oreste in Gluck’s Iphigénie en Tauride at Welsh National Opera, Don Fernando in Fidelio at the Opéra de Lyon and the Edinburgh International Festival, Count Almaviva in Le Nozze di Figaro, Barak in Die Frau ohne Schatten and Mandryka in Arabella, all with the Théâtre du Capitole de Toulouse.

In concert, he has sung Mahler’s Lieder eines Fahrenden Gesellen with the SWR Sinfonieorchester Baden-Baden und Freiburg under Michael Gielen, as well as the Bamberger Symphoniker, Dvorak’s Te Deum with the Netherlands Radio Philharmonic Orchestra, Bach’s Matthäus-Passion with the Konzerhausorchester Berlin and Iván Fischer, the Fauré Requiem with the Brussels Philharmonic, Dvorak’s Mass in D major with the Netherlands Radio Philharmonic Orchestra, Créon and the Messenger in Stravinsky’s Oedipus Rex at the Concertgebouw Amsterdam with Markus Stenz, 8 Scènes de Faust by Berlioz under Jeffrey Tate at La Fenice, Brahms’ Ein deutsches Requiem under Pinkas Steinberg with the Spanish RTVE Orchestra, Orff’s Carmina Burana with the Minnesota Orchestra and Eiji Oue, Roland in Schubert’s Fierrabras with Bard Music Festival in New York, Copland and Gershwin songs with Het Residentie Orkest in The Hague, MacMillan’s St. John Passion with the Brussels Philharmonic, Der Bauer in Schoenberg's Gurrelieder with conductor Reinbert de Leeuw, Faust in Schumann’s Szenen aus Goethes Faust at New York’s Avery Fischer Hall and Adams’ The Wound-Dresser and Copland’s Old American Songs with the Indianapolis Symphony Orchestra.

Andrew Schroeder has recorded the title role in Le Roi Arthus on Telarc, Pia De’ Tolomei is available on CD/DVD through Dynamic, Roberto Devereux on CD/DVD with Naxos and the recording of Le Nez has been released on Suissa.

ANY PUBLIC USE OF THE ABOVE TEXT IS NOT PERMITTED WITHOUT SPECIFIC
AUTHORIZATION OF SOREK ARTISTS MANAGEMENT.

Opera

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Concert

Composer	Work
Adams	Nixon in China	Nixon
Adams	Death of Klinghoffer	Captain
Adams	Doctor Atomic	Oppenheimer
Beethoven	Fidelio	Don Fernando
Bellini	I Puritani	Sir Riccardo Forth
Berlioz	La Damnation de Faust	Mephistopheles
Bizet	Pearl Fishers	Zurga
Bizet	Carmen	Escamillo
Bizet	Djamileh	Splendiano
Britten	Billy Budd	Billy
Britten	Rape of Lucretia	Tarquinius
Britten	Rape of Lucretia	Junio
Britten	Death in Venice	Baritone roles
Britten	Midsummer Night’s Dream	Demetrius
Chabrier	Le Roi Malgre Lui	Henri/Fritelli
Chausson	Le Roi Arthus	Arthus
Damase	L’Heritiere	Morris Townsend
Donizetti	Pia de’ Tolomei	Nello della Pietra
Donizetti	Roberto Devereux	Lord Nottingham
Enesco	Oedipe	Oedipe
Gluck	Alceste	Grand Pretre d’Appollon
Gluck	Iphigenie en Aulide	Agamemnon
Gluck	Iphigenie en Tauride	Orestes
Gluck	Iphigenie en Tauride	Thoas
Gounod	Faust	Valentin
Henze	Der Prinz Von Homburg	Prinz Friedrich
Leoncavallo	Pagliacci	Tonio
Mascagni	Cavalleria Rusticana	Alfio
Massenet	Werther	Albert
Massenet	Werther (Baritone version)	Werther
Meyerbeer	Les Huguenots	Counte de Nevers
Monteverdi	Il Ritorno d’Ulisse in Patria	Ulisse
Mozart	Cosi fan Tutte	Guglielmo
Mozart	Cosi fan Tutte	Alfonso
Mozart	Don Giovanni	Giovanni
Mozart	Le Nozze di Figaro	Conte Almaviva
Prokoviev	The Gambler	Mr Astley
Puccini	La Boheme	Marcello
Purcell	Dido and Aeneas	Aeneas
Rachmaninoff	Francesca di Rimani	Lancialotto
Rameau	Platée	Jupiter
Rossini	Il Barbiere di Siviglia	Figaro
Rossini	Il Turco in Italia	Prosdoccimo
Shostakovitch	Nos (The Nose)	Kovaliov
Smyth, E	The Wreckers	Lawrence
Strauss, J	Die Fledermaus	Falke
Strauss, R	Arabella	Mandryka
Strauss, R	Capriccio	Der Graf
Strauss, R	Capriccio	Olivier
Strauss, R	Die Frau Ohne Schatten	Barak
Stravinsky	The Rake’s Progress	Nick Shadow
Tchaikovsky	Eugene Onegin	Onegin
Tchaikovsky	Pique Dame	Yeletsky
Tippet	A Midsummer’s Marriage	King Fisher
Verdi	Don Carlos	Posa
Verdi	Falstaff	Ford
Verdi	La Traviata	Germont
Wagner	Parsifal	Amfortas
Wagner	Tannhauser	Wolfram
Wagner	Tristan und Isolde	Kurwenal
Weber/Mahler	Die Drei Pintos
Weill	Royal Palace	The Husband

Opera

|

Concert

Composer	Work
Adams, J	The Wound Dresser	-
Bach	St Matthew Passion	-
Bach	St John Passion	-
Berlioz	Damnation of Faust	-
Brahms	Ein Deutsches Requiem	-
Britten	Rescue of Penelope	-
Britten	War Requiem	-
Britten	Five French Songs for Baritone and Orchestra	-
Copeland	Old American Songs	-
Delius	Sea Drift	-
Dvorak	Te Deum	-
Faure	Requiem	-
Mahler	Das Lied von der Erde	-
Mahler	Lieder eines fahrenden Gesellen	-
Mahler	Des Knaben Wunderhorn	-
Mahler	Rückert-Lieder	-
Mahler	Kindertotenlieder	-
Mahler	Symphony nr.8	-
Mussorgsky	Songs and Dances of Death	-
Orff	Carmina Burana	-
Stravinsky	Pulcinella	-
Vaughn Williams	Five Mystical Songs	-
Vaughn Williams	Songs of Travel	-

Chausson - Le Roi Arthus

Andrew Schroeder in the title role of Chausson's Le Roi Arthus with the BBC Symphony Orchestra condcuted by Leon Botstein.
ASIN: B0009A3PNA

BUY HERE Buy here

Donizetti - Pia de' Tolomei

DVD - Donizetti - Pia de' Tolomei. Teatro La Fenice.
ASIN: B000BSYW0U

BUY HERE Buy here

Donizetti - Roberto Devereux (DVD)

Bergamo Musica Festival Orchestra
Marcello Rota, cond
with Dimitra Theodossiou, Andrew Schroeder, Federica Bragaglia et al
Naxos (4881248)

BUY HERE Buy here

ANDREW SCHROEDER: R. Schumann, Szenen aus Goethes Faust

G. Mahler, Ich hab' ein glühend Messer (Lieder eines fahrenden Gesellen)

G. Mahler, Die zwei blauen Augen (Lieder eines fahrenden Gesellen)

R. Strauss, Wenn aber das die Folge wär gewesen (Arabella, Act 1)

J. Ibert, Chanson du Duc

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"Aber auch alle anderen Mitglieder des Ensembles singen und spielen auf höchstem Niveau. Andrew Schroeder als König Claudius, Dalia Schaechter als Gertrude verkörpern ihre Charaktere ebenso überzeugend wie John Heuzenroeder als Polonius oder Wolfgang Stefan Schwaiger als Horatio. Das ist nicht nur stimmlich vom feinsten."

die-deutsche-buehne.de, Brett Dean, Hamlet - Oper Köln, November 2019

"Andrew Schroeder als Claudius ist ein großartiger Gegner für Hamlet – zwischen Schuld und Machtgier hin- und hergerissen überzeugt er auch musikalisch auf ganzer Linie."

deropernfreund.de, Brett Dean, Hamlet - Oper Köln, November 2019

"Le garde forestier d’Andrew Schroeder est idéal..."

resmusica.com, La Monnaie, Cunning Little Vixen, March 2017

Andrew Schroeder

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