Biography
German Bass-Baritone Andreas Wolf enjoys an international career in opera and concert, especially as an interpreter of the Baroque and classical repertoire.Most recently, he gave his house debut at the Bolshoi theatre in the title role of Le nozze di Figaro, which he also sang for Oper Stuttgart, and returned to the Grand Théâtre de Genève as Le Temps and Célénus in a new production of Lully’s Atys, conducted by Leonardo García Alarcón. In concert, he performed Beethoven’s Missa Solemnis with Concerto Köln and Kent Nagano, Bach’s Messe in h-moll with the RIAS Kammerchor and Akademie für Alte Musik Berlin, conducted by René Jacobs, Handel’s Israel in Egypt with Le Concert Spirituel and returned to the Festival de Beaune as Orbazzano in Rossini’s Tancredi, conducted by Jérémie Rhorer, and Levite in Handel’s Solomon, conducted by Leonardo García Alarcón.
In 2022-23 Andreas Wolf will return to Semperoper Dresden as Jupiter/Platée and to Staatsoper Stuttgart in a staged production of Bach’s Johannes-Passion. In concert, he will appear at the Händelfestspiele Göttingen in the title role of Handel’s Hercules, record and perform works by Handel and Durante with the RIAS Kammerchor, sing Mozart’s Requiem with the Flemish Radio Choir, the c-minor Mass with the Orchestre National de Lille, Fauré’s Requiem with the Hamburger Symphoniker, and perform a new programme called La Passion del Gesù with Capella Mediterranea and Leonardo García Alarcón. With Ton Koopman, he will appear in Handel’s Messiah on European tour with the Amsterdam Baroque Orchestra, in Bach’s cantata Auf, schmetternde Töne (BWV 207a) with the Orquesta y Coro Nacionales d’España in Madrid and in the Weihnachtsoratorium at Konzerthaus Wien. He will also perform the Weihnachtsoratorium with the Stavanger Symphony Orchestra.
Past opera engagements include a staged production of Bach’s Johannes-Passion at the Théâtre du Châtelet in Paris, Jupiter/Platée at Oper Stuttgart and Semperoper Dresden, Leporello/Don Giovanni at the Tchaikovsky Concert Hall in Moscow, at La Monnaie in Brussels and Oper Stuttgart, Papageno/Die Zauberflöte at Teatro Real Madrid and the Grand Théâtre de Genève, Guglielmo/Cosi fan tutte at Teatro Real in Madrid, La Monnaie in Brussels and the Wiener Festwochen, Truffaldin/Ariadne auf Naxos, Zuniga/Carmen and Paolo Calvi/Die Gezeichneten at Bayerische Staatsoper Munich, Figaro/Le nozze di Figaro at Teatro Real Madrid and the Opera national du Rhin Strasbourg, Falke/Die Fledermaus at Oper Stuttgart, Nanni in Joseph Haydn’s L’Infedelta delusa for the Festival d’Aix-en-Provence and Aeneas in Dido and Aeneas in New York and Moscow with Les Arts Florissants.
In concert, Andreas Wolf has performed Schubert’s Mass in G major and Saint-Saëns’ Oratorio de Noël with the Netherlands Radio Philharmonic and Vasily Petrenko, Acis and Galatea at Moscow’s Zaryadye Hall, Berlioz’ Messe Solennelle with Le Concert Spirituel in Versailles and Brussels, Bach’s Johannes-Passion with the Orchestre Philharmonique de Radio France, Handel’s Belshazzar with the RIAS Kammerchor and Akademie für Alte Musik Berlin at the Festivals in Salzburg and Beaune, in Oslo, Cologne and the Berliner Philharmonie, Mendelssohn’s Elias with the Hamburger Sinfoniker, Beethoven’s Messe in C-Dur with Het Residentie Orkest and with Choeur Accentus at La Seine Musicale Paris, Haydn’s Harmoniemesse and Frank Martin’s In Terra Pax with Peter Dijkstra and the Netherlands Radio Philharmonic, Stravinsky’s Pulcinella with the MDR Sinfonieorchester, Handel’s Alexander’s Feast with Concerto Köln under Ivor Bolton at Laeiszhalle Hamburg, Bach’s Matthäus-Passion at the Palau de la Música in Barcelona and at the Bachfest Leipzig with Ton Koopman, Handel’s Saul with the Bachakademie Stuttgart, Bach’s Messe in h-moll with Concerto Köln at the Elbphilharmonie Hamburg, the Seattle Symphony and the Orchestra National de Radio France, Rocco/Fidelio with the Wrocław Baroque Orchestra, Ariodate in Handel’s Serse with Il Pomo d’Oro at Theater an der Wien and Théâtre des Champs-Elysées and Bach’s Weihnachtsoratorium with the Gothenburg Symphony Orchestra, Concerto Köln and the Chor des Bayerischen Rundfunks.
Recordings include C.P.E. Bach’s Die Auferstehung und Himmelfahrt Jesu with the Vlaams Radiokoor (Passacaille), Handel’s Semele with Leonardo García Alarcón (Ricercar), Bach’s Messe in h-moll with the Chor des Bayerischen Rundfunks under Peter Dijkstra (BR Klassik), Berlioz’ Messe Solennelle (Alpha), Haydn’s Jubilaeum Virtutis Palatium with Capella Augustina, Johann Ludwig’s Trauermusik, Handel’s Ode for the Birthday of Queen Anne, both with Akademie für Alte Musik Berlin and Bach cantatas with the Freiburger Barockorchester and Carolyn Sampson, all for Harmonia Mundi.
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