BiographySwiss tenor Fabio Trümpy studied with Margreet Honig in Amsterdam before he joined the Opera Studio Nederland. He is recipient of the Prix des Amis du Festival d’Art Lyrique in Aix-en-Provence and a former ensemble member of the Opernhaus Zürich.
Most recent highlights include the title role in Prometeo by Antonio Draghi at Opéra de Dijon, conducted by Leonardo García Alarcón, Handel’s Acis and Galatea with the Orchestra Philharmonique de Radio France, Zadok in Handel’s Solomon at the Concertgebouw Amsterdam with the Nederlands Radio Filharmonisch Orkest and Peter Dijkstra, Oronte in a new production of Alcina by Katie Mitchell, conducted by Andrea Marcon, at the Bolshoi Theatre in Moscow as well as for Hamburgische Staatsoper, where he also appeared as Telemaco in Monteverdi’s Il ritorno d’Ulisse in patria. Furthermore, Don Ottavio in Don Giovanni at the Beaune Festival under Jérémie Rhorer, Mozart’s Requiem with Les Musiciens du Louvre and Marc Minkowski, Bach’s Trauerode with the Gulbenkian Orchestra under Leonardo García Alarcón and Bach Cantatas with the Sinfonieorchester des Bayerischen Rundfunks in Munich under Giovanni Antonioni.
Elsewhere, he has sung Tamino/Die Zauberflöte at the Spoleto Festival in the US, Camille/Die lustige Witwe at the Opéra national de Lorraine in Nancy, Aleya/House from the Dead staged by Calixto Bieito at Theater Basel, Pane/La Calisto and Fritz in Offenbach’s La Grande-duchesse de Gerolstein, both at the Grand Théâtre de Genève, Pastore in Sasha Waltz’ production of Monteverdi’s Orfeo at Festspielhaus Baden Baden, Opera de Lille and Berlin State Opera, with the Freiburger Barockorchester, conducted by Pablo Heras-Casado.
With the Orchestra of the 18th Century Fabio Trümpy has performed Evangelist in Bach’s Johannes-Passion and tenor arias in the Matthäus-Passion, Jaquino in Beethoven’s Fidelio, Basilio and Don Curzio/Le Nozze di Figaro and Haydn’s Schöpfung.
Other concert appearances include Don Ottavio at the theatre in Versailles and Evangelist in Bach’s Johannes-Passion on European tour, both with Les Musiciens du Louvre under Marc Minkowski, Schubert’s Stabat Mater with the Netherlands Radio Philharmonic Orchestra under James Gaffigan, Donizetti’s Requiem at the Festival St. Denis, Evangelist in Bach’s Matthäus-Passion with the Residentie Orkest, Rossini’s Petite messe solennelle with the Flemish Radio Choir under Hervé Niquet at the Concertgebouw Amsterdam, Haydn’s Missa in tempore belli with the Netherlands Chamber Orchestra, Le berger in Stravinsky’s Oedipus Rex with the Tonhalle Orchester Zürich and the Orchestre de la Suisse Romande under Charles Dutoit, Iro in Hans Werner Henze’s adaptation of Monteverdi’s Il ritorno d’Ulisse in patria with the WDR Sinfonieorchester Köln and Kurt Weill’s Berliner Requiem with the Tonhalle Orchester Zürich under David Zinman and Bach’s Weihnachtsoratorium with the Residentie Orkest, Züricher Kammerorchester and the Royal Concertgebouw Orchestra.
Forthcoming projects include the chamber version of Mahler’s Das Lied von der Erde at the Stift Music Festival, Dvorak’s Stabat Mater with the Vlaams Radiokoor and Kazushi Ono and Draghi’s Il Dono della Vita eterna with Cappella Mediterranea and Leonardo García Alarcón in Dijon, Namur and Versailles.
ANY PUBLIC USE OF THE ABOVE TEXT IS NOT PERMITTED WITHOUT SPECIFIC AUTHORIZATION OF SOREK ARTISTS MANAGEMENT.More