Biography
Nicola Raab has in recent years gained recognition internationally as a director of great sensitivity, detailed character work and visual flair. Her production of Written on Skin for the Teatro Comunale Bolzano received the coveted “Premio Abbiate” by the Guild of Italian Music Critics in 2016. In 2013, she was awarded the Arets Reumert Prize for best Danish opera production for Otello at the Royal Danish Opera in Copenhagen.Most recently, she directed Macbeth (Opéra de Dijon), Turandot (Theater Regensburg) and Pallavicino’s opera Le Amazzoni nell’isole fortunate together with Les Talens Lyriques and Christophe Rousset (Musikfestpiele Potsdam Sanssouci). Other Productions include La Traviata (Komische Opera Berlin), Rusalka (Opéra national du Rhin, Opéra de Limoges), Ariodante (Drottningholms Slottsteater), Jenůfa (Greek National Opera Athens), Il Corsaro (Palau de les Arts Valencia), Lakmé (Malmö Opera), Francesca da Rimini (Opéra National du Rhin Strasbourg), Elektra (Teatro Nacional de São Carlos Lisbon), Semiramide (Opéra national de Lorraine) and La Wally (Teatro Comunale Bolzano).
Furthermore, she recently completed a collaboration with the Conservatoire National Superieure de Musique Paris by directing the production Die Fledermaus together with conductor Lucy Legay and in co-operation with Philharmonie de Paris and created Keiser’s Ulisses for Theater Heidelberg at Winter in Schwetzingen, also a Covid postponed project, and a co -production with Theater Orchester Biel Solothurn for this season.
Elsewhere, Nicola Raab has staged I Capuleti e i Montecchi (Bergen Opera), von Einem’s Jesu Hochzeit (Carinthischer Sommer), Written on Skin, Death and the Maiden and The Cunning Little Vixen (Theater St. Gallen), John Adams’ A Flowering Tree (Goeteborgs Operan, Teatro Nacional de São Carlos Lisbon), Boris Godunov (Savonlinna Operafestival), Lohengrin (Royal Danish Opera Copenhagen), Béatrice et Bénédict by Berlioz and A Flowering Tree (Chicago Opera Theatre), Don Chisciotte by Francesco Conti and Artaxerxes by Leonardo Vinci (Musikwerkstatt Wien), The Marathon by Isidora Zebeljan (Bregenzer Festspiele), Parsifal (Estonian National Opera), Tristan und Isolde (Novaya Opera Moscow) as well as Massenet’s Thaïs (Goeteborgs Operan, Finnish National Opera, Los Angeles Opera, Teatro del Liceu Valencia).
Early on her career, Ms Raab produced a series of modern works for Kammeroper Wien, namely Moskau, Tscherjomuschki by Shostakovitch, When she died… by Jonathan Dove, Eight Songs for a Mad King by P. Maxwell Davies, The Io Passion by Harrison Birtwistle and Britten’s Owen Wingrave.
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